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The Discworld novels can be read in any order but Raising Steam is the third and final book in the Moist von Lipwig series. Terry Pratchett – [Discworld 40] – Raising Steam (v5).epub ( MB) Terry Pratchett – [Discworld 41 – Tiffany Aching 05] – The Shepherd's.

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EPUB · MOBI · The Light Fantastic (). Authors: Terry Pratchett. Tags: Fantasy:Humour. Series: Discworld () · Cover · EPUB Raising Steam (). Will Terry Pratchett ever write another novel in the Discworld book series? In Terry Pratchett's 'Raising Steam', on what page does the best bit start? Ready your pack, grab your walking stick and step into a world of mystery and legend. Craft a unique character and immerse yourself in the. FREE FUNNY QUOTES ABOUT LIFE IN GENERAL TORRENT It's very conferencing system investment decisions. Themes are modules PhpMyAdmin in our can only. Install the thing in fulviavecchia from want to.

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All those paradox questions like if he changes his current now and as a result changes the history of the future, then how does come back to make those changes if his future no longer exists? In the end he largely shelved these arguments as well as the ones that suggested he was in an alternate universe anyway. There was no way of proving or knowing the answers to any of these questions given the 5th century tech base the locals had available. Of course, no sword and sandals epic would be complete without a horde of hairy barbarians — que the Selgovae just over the northern border.

Or beautiful barbarian princesses, well one at least. Then of course there is the self-proclaimed Comes in Eboracum, the remaining local running dog lackey of the filthy imperialist oppressors. That would be Honorius in Ravenna. Oh and somebody wants him dead… as in personally. It would all be so much easier if they all just left him alone to get on with railways, telescopes, two masted brigs, panes of glass and so for and so on…..

Previous page. Print length. Publication date. Reading age. Grade level. File size. Page Flip. Word Wise. Enhanced typesetting. See all details. Next page. Next 3 for you in this series See full series. Book 2. Book 3. Book 4. Next 5 for you in this series See full series. Book 5. Book 6. Books In This Series 7 Books.

Complete Series. Kindle Edition. Page 1 of 1 Start Over Page 1 of 1. Peter Rhodan. Customers who bought this item also bought. Page 1 of 1 Start over Page 1 of 1. Rolling South Arturo Sandus Book 4. Sailing East Arturo Sandus Book 5. Taking Off Arturo Sandus Book 6.

Foreign Travels Arturo Sandus Book 7. About the author Follow authors to get new release updates, plus improved recommendations. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

Read more Read less. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

Learn more how customers reviews work on Amazon. Images in this review. Reviews with images. See all customer images. Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. An engaging premise. The author continues to amaze us with the further adventures of Arturo Sandus A modern man thrust back in time and his adventures in bringing technology forward.

I have to know what new things Arturo is doing! How ingenious to change whole towns for the better and be a good person. Hope there are more. Peter Rhodan has written three connected novels set in Authorian Britain. But his main character is a space captain blasted far into the past and marooned on Earth, never to seek the stars again.

Fun to read. The best parts of this volume are the various battles. The several set-piece battles have the quickly evolving army organized by Arturo Sandus outnumbered and facing barbarians or barbarians and Romans together. Arturo, the space captain, uses his higher-tech and his organizational skills in clever ways to outfox and outfight his enemies.

I am so taken by the story that I don't much care for the glaring flaws. Rhodan has his proto Romans building things, railways is a big example, much too quickly. It would have been better for the story if the author had calculated the weight of a mile of railroad track and invented a way to produce such a vast mass of iron.

Instead, he simply has the ironworks pump the stuff out as needed for the storyline. There are other examples. But I don't care. I still like it. I'm sorry this got long, all I meant to say was the intro paragraph. I'm sorry about Pterry. I had sworn to not read the stolid boring Earth saga, but his other books are just as bad now and I wish the Earth were that magical entity he portrays it as, or narrativum existed, and could make at least something right about this.

But after all those years, he ends up like the hacks, the writers simply going bad for boredom or running out of steam. Pterry might not have done that in the normal course of things. But his books are now weightless nothings, and I'm condemned to those terrible thoughts aka tl;dr: I wish my favourite author had stopped writing.

I'm so sorry. View 2 comments. Nov 09, James rated it liked it Shelves: fantasy. I wavered a bit on what score to give this book. In the end I compared it to the last couple of Discworld books: I enjoyed it a little more than Unseen Academicals and a lot more than Snuff, so let's say it's on the low end of three stars. I wonder if all those three stars are earned, though, or if I'm just attached enough to the characters included in this book to be pretty lenient.

I found reading this book a really odd experience; the pacing is pretty choppy, and sometimes makes the book hard I wavered a bit on what score to give this book. I found reading this book a really odd experience; the pacing is pretty choppy, and sometimes makes the book hard to follow, and some of the prose and dialogue seems slightly Dialogue especially.

There's also not a huge amount of humour on display to be honest, which wouldn't actually be so much of a problem you could say the same of Night Watch, which I love to pieces , but it doesn't feel like anything particularly fills the absence left. There don't seem to be any particularly strong overarching themes, which strikes me as criminal in a book supposedly about the industrial revolution.

In fact, the way the industrial revolution themes are basically neutered might be the problem: this is a very rosy-glasses kind of book in my opinion, when it could have been a lot more cutting. There is some nasty holdover stuff from Snuff that pissed me off, but I don't really have time to go into it here- but yeah, that was annoying. And some of the characterization seemed off.

I'll need more time to think about that, though. On the other hand, there were certainly parts I liked. I like that it's an ambitious book and tries to tie together a lot of seemingly disparate elements, I like that it does what Pterry is so good at with Ankh-Morpork and makes it feel like a real, living place that continues existing when you put the book down, certain plot elements and character meetings really caught my eye and I really enjoyed all the interactions between Moist and Adora in particular.

Though I do wish she had a bigger role overall. Some individual scenes brought me a lot of glee and I did enjoy seeing the whole element of technological process on the Disc being continued. But at any rate, it's worth reading, which is more than I would say about the last Discworld book. I guess I spent a lot more time talking about the negatives, but I think it's because having read so much Discworld I kind of take the positives for granted, and the negatives stick out much more strongly.

Mar 26, Emma Sea marked it as dnf. In as much as Terry Pratchett runs the Discworld, he is the Patrician. The pacing was askew and the characterizations reduced to twee accents. I am so sorry I tried to read this. Thank you for all the books, Sir Pterry. Especially Thud! I look forward to my own atoms joining yours in the heart of a new star one day. Apr 08, Andrew rated it it was ok.

I do not want to analyze Pratchett's books through the lens of his illness. This is the book where I have to start. I'll do it from two directions. Prose, first. Too many little phrases and parenthetical asides, the "indeed" and the "as it were" and the "so to speak". It's not clean. The Pratchett I know can run you through with a sentence and make you laugh at the same time, and do i I do not want to analyze Pratchett's books through the lens of his illness.

The Pratchett I know can run you through with a sentence and make you laugh at the same time, and do it again twice a page. This isn't that. Pratchett can no longer type. That's the balance. I heard him speak once, at a Worldcon, years before his illness. I don't go for audiobooks, but I think this must work best as an audiobook; that's how it was composed.

The printed text is a word-for-word translation, and it shows. Then, the story. It's soft. I can't excuse that. This is the book of how the railway came to Ankh-Morpork, and the railway comes, and there really isn't a lot more to it. The story steams along and everybody is along for the ride. The good guys wipe the floor with them. It's easy. Even when he's doing pure farce, the protagonist is Rincewind is Victories cost. This book has no cost. Even the conservative dwarfs just wind up in jail, except for the ones who don't surrender and get killed by the good guys, and that has no cost either.

I'm not happy. Conservative dwarf priests are an easy target to begin with. Look, I get plenty irate about conservative real-life priests. In the middle of reading this book I read articles about the World Vision affair -- you can google it -- a bunch of conservative evangelicals rose up to defend their principles, and their principles turned out to be "Better a thousand children starve than one Christian stop hurling shit at gay people.

For now. But that's all we get of the dwarf grags. They want dwarves to stay dwarfish, and that means blowing up clacks towers and steam locomotives and eventually being beaten up by victorious good guys. Look again ; I know Pratchett has always loved the absurd, the over-the-top evil villain. He does lots. More than one have been closed-minded priests. But there should be Even as the villain is utterly crushed, we should feel sorry for the fragment of him that is in us.

That's what Pratchett does. This book doesn't carry it. It's not the book I wanted. The whole story of Vetinari's Undertaking, the modernization of Ankh-Morpork, has been about Vetinari's death! Vetinari is one of the two Discworld characters who are absolutely irreplaceable -- if the Patrician dies, Ankh-Morpork collapses.

He's been doing it since he sobered up Sam Vimes; he's done it step by step in the Moist von Lipwig subseries. This book could have capped that, written from Pratchett's knowledge of his own fate. It didn't. I don't know if I can forgive it. The other irreplaceable character is Granny Weatherwax, who -- in this book packed with cozy cameos -- doesn't appear at all.

Hopefully Pratchett feels he's tied that off with the Tiffany Aching books. I don't know if I could stand a soft Esme Weatherwax story. Okay, yes, Death is irreplaceable but he doesn't count. This is a crappy review and I don't like writing it.

Pratchett has not succeeded in making himself obsolete, the indomitable bastard. I know he's still publishing older work; I don't know if he's still working on new Discworld stories. I don't want to say that my expectations have dropped, but they have. I value both refusing giving up and knowing when to give up. There's no pat answer here. Nov 11, Jenny Schwartz rated it it was amazing.

Really there's no more to be said. If you've not read a Discworld book, this isn't the place to start. This is a book that comfortably assumes our familiarity with many of the characters and there is a REAL pleasure in learning more about them, watching them behave as who they are and yet reveal new aspects. The little character reveals are wonderful - and there's one at the end that just plain delighted me.

I'm trying not to share any spoilers and it's difficult. The book is so well-constructed that I want to say "did you see XXX coming? Unless, of course, you're scared of dragons ; Terry Pratchett plays with words. He isn't ashamed to pun - especially in footnotes. His style is witty, critical and compassionate.

Some reviewers have noted more serious, sombre elements in his later novels, but I think they were there earlier. He has something to say, and he says it with laughter and hope. Raising Steam is wonderful. Apr 01, Igor Ljubuncic rated it it was ok. Actually, DNF. This is the first Terry Pratchett book I did not enjoy, and I've read the entire Discworld series, some of the books twice or even ten times. Things sort of started deteriorating when he discovered his disease, and since, he's been obsessed with darkness, rage and such.

In Raising Steam, it's rage for Moist, darkness for Vimes. But there's a bigger problem. Zero emotional involvement. To illustrate, there's a scene where Moist saves kids from a railways track, then he goes to Harry King, and says, you need to clean up your act, Harry, and Harry goes, ok.

That's it. The whole incident, confrontation and resolution happens in three sentences with all the grace of a brick falling off a pile onto hard ground below. I am sad that it has come to this. Monstrous Regiment was probably the last really fun one. Unseen Academicals was a bit off.

Snuff, meh. And this one, really bad. Simply not interesting. It's a report, not a book. No humor, no drama, no depth, just words upon words that describe the world and do not really throw you into it. I decided to stop and retain a good memory of what Terry once did in his earlier works. Best to end on a happy note. All good things must end. Ergo, no limerick. Raising Steam Discworld 40 by Terry Pratchett was a welcome return to one of my favorite series. Moist von Lipwig is easily one of my favorite characters and it was great to see him back along with Adora Belle, Vetinari, Vimes, and company.

There not quite back in top form, but all things considered all things considered it was just good to seem them. Comforting, if you know what I mean. Nov 06, Nisha-Anne rated it really liked it. I miss the days when his narratives were powered almost entirely by dialogue and hilarious misunderstandings and clever puns, when the long paragraphs of insight were actually valuable and brilliant and were usually at the very start and then in the final act.

I noticed this stylistic change in Snuff and seeing it here rather made my stomach drop. So I struggled for a good long time, actually put the book down a fair few times and have read it over about four sittings which is highly unusual for me. Normally I'll read a new Pratchett in one fervent go, interrupted only by sleep and then not always.

Admittedly, it was rather sweet to see so many familiar characters pop up, so many references to other places and incidences which I suppose is inevitable in the fortieth novel of a series rather crowded, our Discworld, yes but it was still charming and lovely to see. While part of me did resist the cast of thousands, each new small bit proved quite valuable and often beautiful.

The brutality did startle me there's a lot of blood and awfulness in this book. Now that I think about it, I suppose that's how the rage of Pratchett would manifest itself in a Moist novel since Moist himself is completely alien to rage. But things change. And that was the wonderful thing about this novel, the excitement and joy of embracing change while still being careful to safeguard against horrible things.

I never forgot the little reveal from The Fifth Elephant so the first big reveal was no surprise and I had very quickly guessed at the second. Still the way the narrative itself changed was quite thrilling and made me so proud to be a Pratchett reader from way back. Until that absolutely marvellous final act where, yeah, my love was totally vindicated and has left me all beaming and happy and very satisfied. What do religious dwarf fanatics have to do with the invention of the steam engine?

Well, everything. We are in Ankh-Morpork sometimes where the Patrician is not standing in the way of progress because, once again, he knows exactly when you have to get out of the way if you want to stay in power. And if there is What do religious dwarf fanatics have to do with the invention of the steam engine? In short: the future is here and either you change with the times or you get left in the dust - which brings us back to the aforementioned religious nutters and the trouble they cause for Moist.

No, this is not the best book in the series. Or not. There are still some important musings combined with sharp observations nonetheless and Sir-Terry-not-at-the-top-of-his-game is still miles better than most other authors on this planet. The turtle movies. For everyone. All the time. Like it or not. Nov 21, Lightreads rated it it was ok Shelves: fiction , fantasy. I've applied a lot of words to Discworld books over the years, not all of them good, but I'm pretty sure this is the first time I'm going to call one of them boring.

Bo- ring. So boring. He's written this book a good fifteen times already, and most of them were better. A new piece of technology confounds the Discworld the railroad , there are arguments, protests, less than a handful of good jokes, and an allegedly feel-good interlude about social progress in which, in this case, we have yet anoth I've applied a lot of words to Discworld books over the years, not all of them good, but I'm pretty sure this is the first time I'm going to call one of them boring.

A new piece of technology confounds the Discworld the railroad , there are arguments, protests, less than a handful of good jokes, and an allegedly feel-good interlude about social progress in which, in this case, we have yet another "I'm really female, so there! Because, like, all dwarves live as men, which apparently means that women don't get to be women because….

So when they "rebel," what they do is have their armor recast to include breast molds. Because that's what being a lady is. No for real. I am raising my rating from 3 to 4 stars as I enjoyed the story much on re-read, and yet Something was definitely off-kilter here. I felt the characters from Vetinari to Harry King were similar, but not exactly themselves.

Like someone was trying really hard to copy them and while making a good job, they just did not get them exactly right. Also, quite a few recycled storylines from earlier Discworld novels with much weaker impact. It's like a miracle, this book. I read that Pratchett dictated it to his computer with text-to-speech software.

Hoorah for assistive technology! Admittedly, I can tell that it wasn't solely created by the brilliant voice of Sir Terry — or not the Pratchett we know and love — but that's okay, because I sense that the ideas are his, if not the full execution.

Plus, it's got my favorite characters even though they aren't portrayed the same as in previous books. And they are ALL here minus Carrot. But, still, this book has some problems, mentioned further below. Ankh-Morpprk has been climbing out of the Middle Ages and undergoing modernization for some time, beginning with the invention of cinematography in Moving Pictures and the printing press in The Truth.

Now comes the steam-powered locomotive, invented by an ingenious young artificer named Dick Simnel, who hails from the hicks of Sto Plain. With help from his deceased father's mechanical notebooks, he builds a train. When Dick steams his way into Ankh-Morpork it inspires a visionary interest in Sir Harry King, joy among the mechanically-inclined goblins, and great consternation among the dwarfs, especially the fundamentalist Luddite Grags in neighboring territories.

Here's his first impression of the train: " Moist suddenly noticed the crowd outside the compound fence, pressing up against every inch of wire netting, and felt their expectancy. As the coach stopped, he smelled the acrid scent of coal smoke cutting through the general fetor, and heard what sounded like a dragon having difficulty sleeping, a kind of chuffing noise, very repetitive, and then suddenly there was a scream, as if the biggest kettle in the world had got very, very angry.

Shall we go and have a look? You first, of course, Mister Lipwig. Some favorites are the City Watch subseries, including Guards! I also loved Going Postal. Some problems with this book: The pace is too slow.

Usually, well within the first quarter, Pratchett has set into place a serious problem: an evil, an injustice, a crime or mystery to solve. Not so here. Even though some Grags are vandalizing distant clacks towers and murdering the operators, those actions feel distant, off-stage, and secondary to the wonderful joy of the steam engine.

Tenor: The overwhelming feeling is positive, happy. Everyone is thrilled with the steam engine or with each other. Too much good will; compared to prequels it felt like sugar shock. Everyone even Vetinari, Vimes, King Rhys smiles, grins, cheers, laughs, etc. Often, characters laugh when there is nothing funny, as though laughter will somehow make the dialogue funny.

Not enough vivid plot. For example, fight scenes are too quickly brushed over bandits, murderous grags and derring-do scenes are mostly the applause and glad-handing afterwards rescuing children. Another example: Moist was sent out to gain land access rights to lay the railway tracks. He had to negotiate with all the wealthy landowners between Ankh-Morpork and Sto Plain, but we didn't hear much at all about his negotiations.

We heard only about one tricky landowner Lord A who tried to get Moist drunk to cut a better deal. Since wheeling and dealing and flimflammery is what Moist does best, these scenes should have been told in vivid detail. Instead, with no further ado, every landowner has agreed to allow the train to pass through their land, and an exhausted but satisfied Moist is riding his horse up the palace steps and directly into the oblong office to announce his success no way would that happen in previous books.

There is some satire, parody, and punnery. Some of this is spot on, but some is lame. Still, much better than I could do. However, the social commentary again focuses on fundamentalism Grags and on gender female dwarfs and this goes on and on. It is repetitive.

In this book, Pratchett tends towards long speeches, either verbalized or conveyed via silent internal reflection. This occurs too much. Not Sir Terry's usual style. Biggest problem? Am I to believe that many passengers and tons of freight could be carried by means of this … thing? This contrasts strikingly with the prequels, wherein the Patrician is enigmatic, inscrutable, unreadable. It didn't even feel like the the same person I met in Guards! When I was working the rota last week on the goods yard there were a load of cheeses that got broken open by accident, as it were.

Then there was the scene where Moist let his beast off the leash. Only Vimes ever had a beast, a berserker side to his nature. Only Vimes dealt with the summoning dark and had his own guarding dark. I felt the hurt of these deviations from the norm, but I appreciate the precious gift of this book.

For Snuff , I posted a question quiz View all 6 comments. Nov 25, Mason rated it really liked it. I love Sir Terry Pratchett's Discworld books. I love the characters but most of all I love the language, the wordplay, the humour. I think the books by itself are great but if you master British English and their slang they become even better. And if you also know their culture, another layer of humour reveals itself.

I keep re-reading his books and they still feel like new to me as I keep coming across new jokes that I did not get the first time around. It is with this in mind that I sadly have to give this a four star instead of five.

It is no secret that Sir Pratchett is suffering from a terrible disease and I am in awe of the way he is still able to churn out books and do the things he does. But the last few books you could sense a change in his writing. More description than dialogue as another reviewer pointed out. Take this book or Snuff or Unseen Academicals, his latest books with characters from Ankh Morpork, and compare it to the city guard books like Men at arms, Feet of Clay and Jingo books that are in the middle of his Discworld Bibliography.

The pacing are different, the jokes not as rapid fire. In a way it feels like he is trying to give his readers a last farewell in this book by cramming in as many of the beloved characters from the Ankh Morpork books as he can. The end result however is that they don't become as memorable. Having said all that this is not a bad book. In fact it is a good book. If you enjoyed the last couple of Discworld Books you will enjoy this one. And any average Discworld book is still guaranteed to be better than most books out there.

I am just whining because it is so tragic that we are losing such a wonderful, funny, twisted and prolific mind to Alzheimers. I remember sitting on the tube trying not to laugh out loud and hide the smile thinking my fellow travelers probably thinks I am crazy.

This book is fun and comforting, with the characters I have grown to love. I just did not laugh out loud. Nov 10, Marcello rated it liked it. This was quite good, it flows seamlessly, the narrative is strong and is quite clever, definitely an improvement but Something is troubling me. I love Pterry, I'll always love his work and his genius, his witticism is the stuff of legend and his character development has always been something to make you yearn for the next book, but I didn't burst out laughing while reading this last book, not once.

Make no mistakes, this is a solid effort, a sort of "grown up" version of the Discworld where This was quite good, it flows seamlessly, the narrative is strong and is quite clever, definitely an improvement but Make no mistakes, this is a solid effort, a sort of "grown up" version of the Discworld where magic is rapidly being chased away by steam and technology, where old characters have to face grown ups problems and therefore have no time for the good old escapades that made me fall in love with them.

I can't help but feel slightly betrayed by my heroes who are changing before my eyes, and not necessarily for the best, for example : Vetinari now talks a lot, and explains things to people! About himself! And threatens too! Not as cool as before, and the kitten chamber is just not there, it doesn't hold up Vimes is a sort of tattoed superhero, either he's getting younger or something is amiss.

Moist is Moist, that at last remains beautifully in character. Drumknott is too excited. The sex revolution of dwarfdom is really, really fast and virtually unopposed. Lady Margolotta looks underdeveloped, you feel her strong presence and then she just, disappears. I'm sorry, I truly am, to be that guy and point out what I consider flaws, but I can't help it, I feel this book could have been so much better 10 years ago, now you can feel the old magic just lurks behind a somewhat unfinished tale hastily brought out.

Dec 22, D. Morrese rated it it was amazing Recommends it for: Discworld Fans. Shelves: fun-fantasy. Re-reread April This is a Discworld novel for Discworld fans, people who have visited the Disc often. Unlike most of the other Discworld books, which are easily comprehensible on their own to a new visitor, this one is not.

A good background with the setting and its inhabitants is required to follow and appreciate this story. Many of our favorite characters from past books have walk-on parts. A reader who is unfamiliar with them will miss a lot. I like how Pratchett's stories have evolved Re-reread April I like how Pratchett's stories have evolved over the years from clever humor to lighthearted and often heartwarming tales of people combating prejudice and ignorance.

This one is largely a tribute to human ingenuity and innovation. I highly recommend this one to all Discworld fans. Feb 08, John Connolly rated it really liked it. Terry Pratchett writes while dealing with a debilitating illness Alzheimer's , which seems to me a particularly cruel affliction with which to curse a novelist, given the importance of keeping a thousand small details in play from start to finish.

I had the pleasure of interviewing Pratchett in Dublin some years Terry Pratchett writes while dealing with a debilitating illness Alzheimer's , which seems to me a particularly cruel affliction with which to curse a novelist, given the importance of keeping a thousand small details in play from start to finish. I had the pleasure of interviewing Pratchett in Dublin some years ago, and I enjoyed his company. Readers also enjoyed. Science Fiction Fantasy.

Science Fiction. About Terry Pratchett. Terry Pratchett. Born Terence David John Pratchett, Sir Terry Pratchett sold his first story when he was thirteen, which earned him enough money to buy a second-hand typewriter. His first novel, a humorous fantasy entitled The Carpet People , appeared in from the publisher Colin Smythe.

Terry worked for many years as a journalist and press officer, writing in his spare time and publishing a number of novels, i Born Terence David John Pratchett, Sir Terry Pratchett sold his first story when he was thirteen, which earned him enough money to buy a second-hand typewriter.

Terry worked for many years as a journalist and press officer, writing in his spare time and publishing a number of novels, including his first Discworld novel, The Color of Magic , in In , he turned to writing full time. There are over 40 books in the Discworld series, of which four are written for children. A non-Discworld book, Good Omens , his collaboration with Neil Gaiman, has been a longtime bestseller and was reissued in hardcover by William Morrow in early it is also available as a mass market paperback - Harper Torch, - and trade paperback - Harper Paperbacks, Terry published Snuff in October In Dec.

Sir Terry Pratchett passed away on 12th March Other books in the series. Discworld 1 - 10 of 41 books. Books by Terry Pratchett.

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