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Helmut learns that fraternizing with Jewish prisoners is strictly forbidden. Unable to leave the children in a state of unhappiness, he continues to perform for them. The SS guards break up one of his performances; they knock him unconscious and warn the children away from the barbed-wire fence. Horrified, Keltner fights off one of the guards, but he is quickly cornered and beaten to death. Doork is placed in solitary confinement. Seeing a use for him, the commandant assigns him to help load Jewish children on trains leading out of the internment camp, with the promise his case will be reviewed.
By a twist of fate, he ends up accidentally accompanying the children on a boxcar train to Auschwitz , and he is eventually used, in Pied Piper fashion, to help lead the Jewish children to their deaths in the gas chamber. Knowing the fear the children will feel, he begs to be allowed to spend the last few moments with them. Leading them to the "showers," he becomes increasingly dependent on a miracle, but there is none. He is so filled with remorse that he remains with them, taking a young girl's hand and walks with them into the chamber.
In , while performing at the Olympia Theatre, Lewis met with producer Nat Wachsberger, who offered him the chance to star in and direct the film with complete financial backing from his production company and Europa Studios. Before he had been given the offer, several stars such as Bobby Darin , Milton Berle , and Dick Van Dyke were also approached, but declined.
Lewis was initially reluctant to take the role, especially after reading the script, stating in his autobiography Jerry Lewis in Person , "The thought of playing Helmut still scared the hell out of me". In addition, he felt that he was wrong for the part, due to the strong subject matter.
He asked Wachsberger:. Why don't you try to get Sir Laurence Olivier? I mean, he doesn't find it too difficult to choke to death playing Hamlet. My bag is comedy, Mr. Wachsberger, and you're asking me if I'm prepared to deliver helpless kids into a gas chamber? Some laugh—how do I pull it off? After re-reading Joan O'Brien and Charles Denton's first draft, Lewis felt that he would be doing something worthwhile in portraying the horrors of the Holocaust.
He signed on to the project, but, in order to make it, he first had to arrange to perform at Caesars Palace in Las Vegas for a month, in order to fulfill the terms of his contract with the hotel. In February , he toured the remains of Auschwitz and Dachau concentration camps and shot some exterior views of buildings in Paris for the film, all the while reworking the script.
He lost thirty-five pounds in six weeks by eating nothing but grapefruit. Principal photography began in Sweden during April , but the shoot was beset by numerous problems. Film equipment was either lost or delivered late, and the necessary money was nowhere in sight. Lewis was repeatedly assured that money was forthcoming by Wachsberger, who did not appear at all on set.
Wachsberger not only ran out of money before completing the film, but his option to produce the film expired before filming began. O'Brien was shown a rough cut of the film in an attempt to acquire the necessary rights to release the film, but after viewing the product decided that it was not fit for release and, therefore, did not enter into an agreement with the producers or Lewis for the unauthorized, derivative work.
After shooting wrapped, Lewis announced to the press that Wachsberger had failed to make good on his financial obligations or even commit to producing. Wachsberger retaliated by threatening to file a lawsuit of breach of contract and stated that he had enough to finish and release the film without Lewis. Wanting to ensure the film would not be lost, Lewis took a rough cut of the film, while the studio retained the entire film negative. On February 23, , Lewis appeared as guest on The Dick Cavett Show , where he stated that the film would complete editing in six to seven weeks, that it had been invited to premiere at the Cannes Film Festival in May, and that it would be released in America after that.
The film became a source of legend almost immediately after its production. In May , an article in Spy magazine quoted comedian and actor Harry Shearer , who saw a rough cut of the film in With most of these kinds of things, you find that the anticipation, or the concept, is better than the thing itself. But seeing this film was really awe-inspiring, in that you are rarely in the presence of a perfect object.
This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. Shearer, who did not know Lewis during the latter's lifetime, gave his opinion why Lewis would make the film: he believed " the Academy can't ignore this ". When asked to sum up the experience of the film overall, he responded by saying that the closest he could come was like "if you flew down to Tijuana and suddenly saw a painting on black velvet of Auschwitz.
You'd just think 'My God, wait a minute! The article quoted Joan O'Brien as saying the rough cut she saw was a "disaster". It also says she and the original script's co-author, Charles Denton, will never allow the film to be released, in part due to changes in the script made by Lewis that made the clown more sympathetic and Emmett Kelly -like. In the original script, the protagonist was an arrogant, self-centered clown named Karl Schmidt, who was "a real bastard", according to O'Brien.
Her script reportedly had him trying to use his wife, who knew the ringmaster, to get him a better gig, and he apparently informed on nearly everyone he knew after being interrogated for mocking Hitler. Had producer Wachsberger retained rights to the material, Lewis would have had the option to adapt the screenplay, reshaping the protagonist. Without the rights, he was forced to seek author approval.
From to , Lewis was known primarily for slapstick and sight gag comedy. Although he stated the film was a drama, there was a perception he would make irreverent humor from serious and horrific events. This production, ten years before his dramatic role in The King of Comedy ,  caused some to believe he was unsuited to the role. However, that did not prevent filmmaker Jean-Luc Godard from saying in an interview with Dick Cavett , "it is a great idea", "a beautiful idea", and that Lewis "should be supported" in his efforts.
In the June Spin article "Always Leave 'Em Laughing", author Bowman Hastie writes of Life Is Beautiful and Jakob the Liar , similar themed Holocaust films released twenty-plus years after Lewis' The Day the Clown Cried , "All three movies shamelessly use the Holocaust — and the impending death of children — as a vehicle for the star's most base, maudlin ideas about his own beneficent selflessness and humanity.
But only Lewis has been vilified for it. In the same article, comedian Janeane Garofalo provided a hint to another issue that has dogged Lewis' production: ridicule. An often polarizing figure, Lewis had detractors.
Garofalo said, "Lewis' public criticism of younger comics In , writer and editor Lawrence Levi wrote of his interview with Michael Barclay, who in was planning a new production of Clown , "The Clown screenplay was brilliant Strange Humors of Cinema edited by Murray Pomerance. The French critic claimed to have seen a copy of the film in or at the invitation of director Xavier Giannoli who owned a bootleg copy.
Frodon did not know how Giannoli obtained his copy, and Giannoli declined Handy's request for comment. Frodon reported that while the copy he watched was obviously a rough preliminary edit, it generally followed the published script and did not seem to be missing any major story elements. His experience viewing the film is as follows,.
I'm convinced it is a very good job. It's a very interesting and important film, very daring about both the issue, which of course is the Holocaust , but even beyond that as a story of a man who has dedicated his life to making people laugh and is questioning what it is to make people laugh. I think it is a very bitter film, and a disturbing film, and this is why it was so brutally dismissed by those people who saw it, or elements of it, including writers of the script.
Frodon further denies there is any sentimentality in the film, calling it "very meaningful" and stating Lewis is "not indulging himself, he is self-caricaturing. He is playing a very unsympathetic character. He's selfish and totally stupid. The film finds what I consider a cinematic answer to some real, serious issues, using a kind of stylized setting, both in the costumes and the sets.
It's not pretending to be realistic. Instead, it has a very obvious fairy-tale feeling—not fairy tale, but tale. There are details like in the Grimm Brothers. Due to the film's mystery and mythology, Lewis faced decades of questions by reporters. Lewis offered the opinion that it was all bad, an artistic failure because "I lost the magic".
Quoted in Entertainment Weekly : "You will never see it. No one will ever see it, because I am embarrassed at the poor work. Lewis replied to this comment with "None of your goddamn business! If you want to see any of it, forget it! I was ashamed of the work, and I was grateful that I had the power to contain it all, and never let anyone see it. It was bad, bad, bad. You'll never see it and neither will anyone else. He states in his own words his motivation for taking on the project and his feelings during filmmaking.
Shearer's conjectures aside, Lewis states his motivation for the project as such,. If I was able to do it again, I would do it. I was going ahead like every studio wanted it, but it was the reverse. They turned away from it.
Except me. That made it more appetizing to me. I believed it could be a black mark against people who felt strength from hate. I feel weak from hate. The thing that hooked me the most was that the children in the goddamn concentration camp were taken to the ovens by the clown and that struck me. I was frightened, but you stay and beat that because you have more important work to do. It's difficult to talk about this project in a way that everyone will understand it.
He further went on to say regarding the emotional toll and difficulty of the subject matter, "I had a talk with myself in the mirror and I said 'Understand one day you'll feel great and the next day you'll want to throw up because reading it disgusts you but playing it is a double disgust'.
I'm not going to get greatness unless I have to go at it with fear and uncertainty. In a interview with Lewis, Chris Nashawaty of Entertainment Weekly wrote, 'When asked about all the speculation surrounding the film, he Lewis said, "I think it's like bad advertising. For it to become what it has become seems unfair—unfair to the project and unfair to my good intentions. Still, Lewis seemed to relish being the keeper of one of Hollywood's biggest mysteries.
According to Richard Brody of The New Yorker , the film's grim portrayal of the holocaust "was, at the very least, unusual and original". In the documentary The Last Laugh , which explored the limits of humor regarding the Holocaust , comedian David Cross reflected Lewis was "too ahead of his time.
If he had waited 25 years, then he'd be bounding over those seats grabbing his Oscar ". However, in , when Roberto Benigni 's Life Is Beautiful won three Oscars for a similar story line, many noted that Lewis had tried it first.
The point is that, in the early s, when the very term " the Holocaust " was hardly known and when the extermination of six million Jews by Nazi Germany was a little-discussed phenomenon, at a time before Claude Lanzmann made Shoah , Lewis took it on. Trivia Movie posters featuring the clown were censored in Italy for being "too scary". Goofs When Kent is driving with Karlsson at about 27 minutes , he starts turning into the demon, and his feet break through the front of his shoes.
In the next scene, when Kent gets out of the car after it crashes and opens the back door to take Karlsson out, there's a quick shot of his shoes and they're intact. Quotes Karlsson : Jack, you have to kill your daddy. User reviews Review. Top review. No Spoiler alerts here! This movie was a good horror movie and playing on a character that a lot of people have phobias about makes it that much better.
At the start, I was honestly feeling a cheesy, B movie type with a possible special appearance by the Dwight Johnson or Dolph Lundren : The gore in the movie was top shelf and watching it with my wife and daughter who are both scared of clowns made it that much better and they absolutely loved it! And my daughter still slept in her own bed. I honestly don't know if there has been a horror movie with the main character of a clown that has been this good in the last years, if I'm wrong please let me know of such movie.
It was awesome how the story jumped feet first into the plot. Would love to see a prequel if it's done right Loved the gore! Details Edit. Release date June 17, United States. United States Canada. Official site Japan. El payaso del mal. Box office Edit. Technical specs Edit. Runtime 1 hour 40 minutes. Dolby Digital. Related news. Contribute to this page Suggest an edit or add missing content. Top Gap. By what name was Clown officially released in India in English?
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