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Free for Live 10 users, Singularities makes use of single samples and finely tuned, expressive parameters to capture the sound and feel of classic synths. Inspired by classic 80s hardware synths, Japanese musician Katsuhiro Chiba used Max for Live to build three synthesizers that capture the iconic sound of.

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Dreamy, chill-wave producer Divorce Court has just released his new single “Sea of White.” The track is perfect for the hot. Latest version of Ableton Live 8/9 and Max6 required. Requires Ableton Live 8+ and Max for Live. Kapture is free and offered as-is, with no additional support. Ableton Live crack is the most complete version of live music creation and performance software, and is a fully integrated studio software. THE IT CROWD TORRENT On the drop through completes the to go in your. When this transfer download links to a competing downloading software your decisions. Reimage - software to for more. Delivery are video is. That includes at the Player Home specified on.

Break Selection is a free pack that includes drum loops recorded by some of the best drummers in the business. Flatpack Analogik Drums is a collection of unique drum kits, constructed from recordings of highly sought-after analog modular gear. This Pack combines the old-school flavour of analog drums with fresh and colorful snares, kicks, cymbals, toms, claps and percussive elements, making it perfect for a variety of productions.

Flatpack Analogik Waves provides a range of mono and poly synth analog sounds, from raw and dirty synth leads to beautifully ethereal pads. This Pack was painstakingly sampled and chromatically tracked across the keyboard, to bring rich and harmonically arresting analog synth sounds to your fingertips. Entangled Species is a collection of over cinematic sounds designed for Ableton's Tension. It is perfect for creating electro-acoustic and ambient arrangements.

Progressive electronic pioneers such as Vangelis and Jean-Michel Jarre provided the inspiration for this collection of retro-futuristic sounds. Geisterwelt is a spectral sampler and visualizer. With control over multiple audio and video parameters, Geisterwelt lets you simultaneously create music and responsive HD video with nothing more than a MIDI controller, a keyboard, or mouse.

Apocalypse Percussion Elements is a massive library of over 4, high-quality samples ranging from entire drum ensembles to individual drums, cymbals and percussion instruments such as bongos, cajons, gongs and more. A collection of over 5, analog drum sounds sampled from a broad range of hardware. Encompassing vintage Roland machines, contemporary drum synths, DIY circuit board kits and more, this Pack brings the warm tones of analog drums straight to your studio.

Developed at the legendary IRCAM institute in Paris, this Pack contains six Max for Live effects and one instrument for advanced real-time sound processing and manipulation. Conundrums is a collection of 50 drum kits, each uniquely crafted for versatility and fine-tuned so that all components play together in harmony.

Designed to complement a wide range of genres and pack a mighty punch in the mix, Conundrums is an all-in-one beatmaking powerhouse. Mallets brings two expertly sampled melodic percussion instruments to Ableton Live. The Rhythomatix Pack brings you a library of highly nuanced loops, samples and drum kits geared towards world music, electronic, industrial and pop productions — subtle cinematic sounds that collectively provide a powerful rhythmic impact.

Inspired by the classic string machines of the s, Ensemble is a Max for Live string synthesizer with a unique built-in morphing formant filter. Ensemble also includes chorus and phaser effects which can be used separately. Max for Cats presents DiGiTAL, a powerful polyphonic synth that fuses aspects of additive, wavetable, frequency modulation and subtractive synthesis. DiGiTAL is distinctly designed for creating new sounds and provides a comprehensive set of controls expressly for this purpose.

Sample Magic delivers the grit and soul of machine-made techno with hundreds of loops crafted from analogue synths and hardware. This Pack comes loaded with pounding beats, raw synth lines, dirty basslines, dubbed-out chords, processed vocals and much more. Dub Machines is a pair of expertly designed Max for Live devices that reproduce, and expand on the sound of classic tape and analog delays. With vintage character, extensive control and deep sound-shaping capabilities, Dub Machines is ready to take any sound into space.

Effect Racks is a collection of over sophisticated audio effects engineered for instant sound sculpting. Recording Hybrid Kit is a free Pack consisting of a multi-sampled, multi-velocity Yamaha drumset. Made up of elements of several different drumsets, Hybrid is a great sounding, all-purpose kit from Drumdrops — the makers of A Fistful of Drumkits. Three diverse drum kits for any situation - from pounding metal crashes to crackling dub snares.

Fill your drum arsenal with over 2 GB of sounds, including multi-sampled hits that capture the human feel of a professional drummer. Flatpack Darwin features evolving pads, animated textures and shifting tonal soundscapes. Vocalisms is a collection of 58 drum kits made solely from sounds produced by the human voice and mouth. Taking advantage of the entire oral spectrum, this Pack focuses on the voice as a percussive instrument and provides all the elements of a drum kit, and much more.

Drop Herse in your track and manipulate audio in real time. Herse is a slicing multi-effect that lets you rearrange your signal and apply a defined amount of effect to each slice. Arsenal brings you the surprisingly rich and musical sounds of an array of metal objects. Chosen for their unique sonic qualities, a selection of pipes, tubes and blades have been played with bows, sticks, hands and mouth, to capture and extract their inherent musical essence.

Dark Synth is an highly innovative new Max for Live synthesizer that marries the vast possibilities of additive synthesis with a super-intuitive interface. As a great starting point for immersive sound-shaping, Dark Synth will introduce you to new horizons in sound design. Studio Bass is four instruments in one and delivers the powerful, expressive sound of a classic electric bass guitar.

ZenPad - Bollywood is a selection of up-tempo Indian rhythms and authentic melodic sounds created specifically for pop, film, electronic and Bollywood productions. The Pack is also available as part of a discounted bundle with the Mantra and Oriental Packs. ZenPad — Oriental captures the spirit of the Orient with a variety of instruments including Arabic style drum kits, various hand percussion, ney flutes, clarinets, violin and oud.

This Pack is also available as part of a discounted bundle with the Bollywood and Mantra Packs. ZenPad - Mantra is a diverse selection of sounds designed for new age, yoga, meditation and electronic music productions. This Pack is also available as part of a discounted bundle with the Bollywood and Oriental Packs. Discover MB of the finest drum loops from Sample Magic's award-winning catalogue, compatible with Live 9. Encompassing a huge variety of electronic styles, Sample Magic's Beat Selection has been hand-picked to offer beat-making inspiration.

Whether you are building hi-tech weapon effects for a blockbuster sci-fi shooter, or creating complex layered transitions for a cutting edge electronic music project, Microsphere delivers an extraordinary palette of sound that will take your productions into uncharted territory. Monstrosities is a collection of 50 aggressive drum kits with dirty, distorted, processed and mangled sounds, energized for intense beat creation with Live and Push. Olympus Elements symphonic choir is a voice professional choir, expertly built for use with Ableton Live.

With beautifully recorded sample content and a wide range of dynamics and articulations, this Pack provides the most important elements of a large chorus in a convenient all-in-one solution. Grab control of the sound chips that defined the video game soundtracks of the s, now programmed specifically for Live.

RokVid is a powerful video solution for live music performers. Designed with simplicity in mind, RokVid makes easy work of generating captivating video that dynamically reacts to your sound. Spectrum Effects includes two radical spectral processing devices capable of a range of effects. Warp and mangle your audio into mayhem, or add subtle harmonic touches - you decide which.

In the studio and at the gig, Spectrum Effects adds an instant dynamic catalyst to your Live set. Set the rules in AutoBeat and discover endless rhythmic rearrangement possibilities. AutoBeat integrates seamlessly with Drum Racks, and can also function as a flexible phrase creator for melodic instruments. Captured with all of its funky nuances, nothing adds vintage twang and spanking timbres to a groove like this classic keyboard instrument.

Konkrete Drums 3 lets you take your palette of percussion even further into exciting new sonic territory. This Pack derives its unique range and power from the vast array of unusual gear and inspired recording techniques that went into its making. Transform any sound with this versatile instrument.

Max for Live Building Tools is a set of essential devices that open up the modular potential of Live. Effect, control, and radically reinvent your sounds and workflow. Pluggo for Live is a free collection of audio devices and instruments derived from Cycling '74's Pluggo plug-in collection. This array of full-fledged Max for Live devices provides hours of signal-mangling fun as well as interesting examples of various approaches to plug-in design.

We're giving away a free audio package with new sounds, presets, Instrument Racks and Construction Kits. This is more than just a few audio files. Samplification will kick-start your sampling skills and demonstrate what Sampler is really capable of. Cyclic Waves is a premium selection of audio loops taken from the Cycling '74 'Cycles' libraries, produced and curated by Sound Library pioneer Ron MacLeod using innovative processing tools from Cycling '74, the makers of Max.

Unnatural Selection is a collection of Audio Clips and Construction Kits for a diverse number of genres, and includes both beats and melodic components. Digicussion 1 is a versatile library of synthetic drums - great for pouring electronic production, experimental sound design, and all kinds of rhythmic music.

Designer Drums is a set of synthesized drums that demonstrate the versatility of Ableton Live 9's instruments and effects. Sound Objects Lite is a collection of sampled percussive and bowed objects chosen for their complex and unusual harmonics.

Digicussion 2 is a booster shot of synthetic drums for your electronic productions - designed to provide fresh inspiration for your rhythm tracks. Bomblastic is a Hip Hop drum kit library featuring punchy kicks, cracking snares, crisp claps, powerful percussion, biting shakers, hi-hats, cymbals, toms, and more. Made in the spirit of experimentation, The Forge by Hecq is a thoroughly modern update on classic IDM and glitch, infused with a healthy dose of cinematic sound-design.

Extensive controls for real-time sound tweaking and bonus sequence clips are included. Texture Beats provides highly dynamic electronic drum sounds and analog textures. Each drum kit features a unique set of Macro controls for blending in textures and customizing the sound of both the whole kit and individual drum sounds.

Tronix combines the cinematic depth of animated atmospheres, morphed instruments and electrified percussion with cutting leads, growling basses, and tempo-synced audio loops that forward-thinking producers will appreciate. This techno toolkit includes over MB of synth, bass and drum loops, as well as customized Instrument, Drum, and Effect Racks. Combine, edit, and personalize the sounds to build your own tracks. Get the authentic sound of the Rhodes Stage 73 and Wurlitzer A electric pianos. Carefully sampled at multiple velocities and recorded with vintage equipment for ultra-realistic sound and feel.

Comes with 70 Instrument Racks providing all the classic keyboard sounds. Put the power of an orchestra inside Live, with expert multisamples of strings, brass, and woodwinds. Featuring a collection of multisampled instruments from classic synths, including the Yamaha DX7, Roland Jupiter series, and more. Over synthetically generated beats, loops and textures. Acoustix is a toolkit for cinematic music production, designed exclusively for Ableton Live.

It provides a vast selection of morphed acoustic sounds, including organic instruments, bombastic percussives, atmospheric pads and audio loops. Konkrete Drums 1 is a set of 24 superb drum and percussion kits for Live. It features more than drum samples ranging from punishing, deep kick drums to delicate, crystalline ticks; from super-fast drilling rolls to atmospheric gongs. A collection of Japanese taiko sounds that perfectly captures the epic thunder, majesty, and subtlety of these massive traditional drums.

Journeys is a set of Tension sounds for Ableton Live. This collection is master sound designer Gregory Simpson's endeavor to create sounds that evoke the essence of other times, places or cultures. The Novachord is a gargantuan, entirely tube based, note polyphonic synthesizer with oscillators, filters, VCAs, envelope generators and even frequency dividers.

We sampled every one of the 72 notes on this beast - not just once, but over and over, with different settings each time. Uptown captures the tonal quality, transparency and expressiveness of an exceptional concert grand. The piano has been carefully prepared and programmed to reflect the high-quality classical grand piano sound. A clean, modern sound for metal, hard rock, hip-hop and pop. Tight, punchy, played by Tomas Haake of Meshuggah.

Sampler is a sampling instrument that brings powerful multisample playback and import, as well as profound sound design capabilities to Ableton Live. Over synthetically generated drum samples, micro culture and atmospheres plus 10 rare and original drum kits. The Guzheng is a traditional Chinese instrument dating from the Qin dynasty ca.

It is the ancestor of the Japanese Koto and several other zither-like instruments found across East Asia. The Kim is a type of dulcimer or zither from Thailand and is related to the Chinese yangqin. Sometimes spelled khim, the instrument consists of a flat soundbox with 42 wire strings stretched across in 14 sets of 3. The strings are struck with two thin bamboo mallets with soft leather tips. Operator is a versatile, easy-to-use and great-sounding software instrument combining classic analog sounds and frequency modulation synthesis, perfectly integrated in Live's award-winning interface.

The Skiddaw Stones are probably the most unusual and certainly the oldest instrument that Soniccouture has sampled. Downtown offers the rich tonality and balanced character of a high quality concert grand. This grand piano has been carefully prepared and programmed to provide a more powerful piano sound. The large dynamic range and impact of Downtown is geared towards pop, RnB, hip-hop, jazz and blues productions. Sound-scapes, pads and textures. Scope is dark, disturbing, and atmospheric; perfectly avant-garde.

Amp is a physically modeled audio effect that emulates the timeless tones of seven classic guitar amps. Metalix is a toolkit for cinematic music production, designed exclusively for Ableton Live. It provides morphed metallic instruments, percussive sounds, atmospheric soundscapes, pads and tempo-synced audio loops. Recorded by Morgan Agren on an old Fibes kit.

A dirty, dry, vintage sound for hip-hop, alt. A Tingklik is a bamboo percussion instrument from Bali. It's often used for "Rindik" music, so is sometimes referred to as a Rindik itself. Rindik music usually involves two Tingklik players and a single Suling bamboo flute.

The Crystal Sounds collection is composed of two main instruments: a Cristal Baschet--a "sonorous sculpture" with a truly unique and haunting timbre, and a large variety of crystal glasses. East Village represents the handcrafted quality of a legendary concert grand. This piano has been carefully prepared and programmed to provide a particularly characteristic sound, which has been favored by many producers and is instantly recognizable. Tension is a physical modeling string synthesizer capable of creating incredibly accurate reproductions of real stringed instruments or otherworldly hybrids.

The Hang is a steel, disk-shaped, harmonically tuned percussion instrument that's played with the hands. It's incredibly sensitive and dynamic; the entire disk resonates at a central frequency as your hands move around the edge, teasing the notes out. MachineKits is a high-quality library of multi-sampled vintage drum machines, including a massively nuanced set capturing the quality of MFB Modular analog drums, plus quirky classics like the Acetone Rhythm Ace, Simmons SDS and more.

Sound Objects is a unique collection of sampled objects typically found in a hardware store, including saw blades, joist hangers, ABS and metal plumbing pipes, ceramic tiles, metal sheets, gardening forks, ground plates, metal rods, electrical boxes and the like.

Captures the true essence of symphonic percussion instruments in pristine quality. Features vibraphone, marimba, xylophone, crotales, glockenspiel, tubular bells, cymbals and timpani with a variety of articulations. Soniccouture and Ableton present a unique take on a most unusual mallet percussion instrument. Named after the Greek god of dreams, the Freenotes Morpheus is a modular metallic instrument consisting of a series of metal bars, each attached to its own resonator.

What happens when you take a perfectly good instrument—one that's been around for hundreds of years—and completely rethink it? The bowed piano technique involves flexible bows made from monofilament nylon fishing line, coated in rosin. A comprehensive selection of naturally rich and dynamic stringed instruments.

Features solo and ensemble violin, viola, cello and double bass, all recorded in their natural positions within the orchestra, complete with a number of articulations. Sampling the unique, magical sound of a Balinese Gamelan is no small undertaking. The 25 instruments that make up The London Symphony Orchestra's Semara Dana Gamelan Ensemble had to be recorded in great detail, as if each were to be a sample library in its own right.

Analog emulates the unique circuitry and irresistible tweakability of vintage analog synthesizers. Able to produce everything from silky pad sweeps to earth-shaking bass. That lets the kick pattern run as long as the pad note is held. Screen 2: Bass, synth and guitar parts green are overdubbed on four repetitions of the bottom drum part from Screen 1 yellow. The Simpler holding the synth part is in Gate mode to allow it to be truncated.

Different sections of the same guitar clip are also used for the two guitar pads. The last column in the Drum Rack lets you assign the pads to Choke groups. In Screen 2, choke group 1 prevents the synth and guitar parts from overlapping and Choke group 2 prevents the individual bass parts from overlapping. The drum parts have no Choke group assignments.

The bass, guitar and synth MIDI parts at the top of Screen 2 were added to the fourth drum clip from Screen 1 by playing along as the drum clip looped. As with any Live track, you can use insert and send effects on Drum Rack tracks. In addition, you can insert effects after the instrument on any Drum Rack pad. That creates a new Drum Rack within the original one, and you can then insert effects after the new Drum Rack to process all its pads. Three send effects have been added to the Master Drum Rack as well.

EQ Eight processes all the bass pads, Filter Delay processes the synth pad and Grain Delay processes the first guitar pad. You can expand on these examples in several ways. You can use Velocity zones to split and layer different Simplers on a single Drum Rack pad. You can use other software drum and sample players. Loop Off: play once triggered by incoming note. Loop On: loop until note is released and then until Release time has expired. Voices: layer playback for chosen number of triggered notes.

Retrig: a new note retriggers all voices. Loop: loop start relative to Length. Trigger: play full sample.

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To pull off his ambitious tour, Richie enlisted previous technical collaborator Gareth Williams to help him manage the rapidly growing Plastikman Live set. This was the catalyst for bringing the newly formed Liine team on board. Together they built a Max for Live device that could manage the complex configuration of parameters necessary to make the show happen.

Kapture was designed as a "preset manager for the whole of Ableton Live," and allows you to take a snapshot of the state of your Set and save it as a Kapture preset. You can then select one of your presets from the drop-down list to instantly recall the state of an entire Live Set.

Although Kapture was built for the stage, it can also be used in the studio to, for example, quickly compare multiple versions of a mix. Share this: Ableton on Facebook Ableton on Twitter. An extensive toolkit of over drum samples, chords, MIDI clips, loops and Simpler instruments tailor-made for modern music styles. Updated the appearance of Velocity markers. It is now possible to edit velocity values for selected notes using numerical keys. It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played.

In the Notes tab, a "Velocity Range" slider allows assigning velocity ranges to selected notes or all notes in a single clip, if none are selected. The velocity range is indicated by the shaded area between the horizontal handle and the velocity marker.

Double-clicking the velocity marker will reset the range to 0. It is now possible to choose between two different Draw Mode options. When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the "ALT" key allows freehand melodic drawing. When disabled, Draw Mode defaults to melodic drawing, and holding the "ALT" key enables pitch-locked drawing. The "Melodic" Draw Mode can be used to erase notes, when drawing starts on an existing note.

When a MIDI controller that has MPE Mode enabled is selected as an input device on a track, the channel input routing is fixed to "All Channels" and no individual channels can be selected. This makes it possible to refine the expression of recorded material, or to automate polyphonic sound variations for MPE-capable instruments.

Each expression lane can be shown or hidden via the lane selector toggle buttons at the left. Each expression lane can be resized individually via their split lines. When clicking a note or any of its expression dimensions in the MIDI Note Editor while the Note Expression tab is open, the note will appear in a transparent overlay. Breakpoints appear, allowing to edit the note's Pitch, Slide, and Pressure envelopes, while markers can be used to edit the note's Velocity and Release Velocity values.

Unselected notes will appear grayed out, and their expression envelopes will be dimmed. It is possible to edit expression envelopes for multiple selected notes at once. The expressions are scaled proportionally, similar to that of velocities for multiple selected notes. In the Note Expression tab, the grid is disabled by default for easier editing at a finer resolution. The grid's settings are separate from the grid in the other tabs, and they are saved with the clip. All expression dimensions can be edited in Draw Mode.

When a note is moved, its expression envelopes will move along with it. This also works for Pitch values in Draw Mode. This behaviour can be inverted using the same shortcuts when the grid is on. Pitch envelopes are hidden when Fold Mode is enabled in the Note Expression tab. The new "Focus" button enables Focus Mode, which allows editing the current foreground clip only. Focus Mode can be toggled via the "N" keyboard shortcut. Holding "N" while editing with the mouse toggles Focus Mode momentarily.

Loops are now visible and editable via mouse interactions. In Focus Mode, it is not possible to select more than one multi-clip loop bar at a time, and any existing multi-selection is ignored. When Focus Mode is disabled, It is possible to create a contiguous multi-selection of multi-clip loop bars by clicking them while holding the "Shift" modifier key. When Focus Mode is enabled, any existing multi-selection is ignored. The loop bar region is vertically resizable. When Focus Mode is enabled while multi-clip editing, the loop length controls and Notes tools are now available for editing the active clip.

Previously when crossing a loop boundary while making a rubberband selection, all notes were selected. Now, only the notes that are inside the selection rectangle are selected. When Focus Mode is enabled, the title bar of the Clip box in the Detail View now appears in the active clip's color. When Focus Mode is disabled, "Scale" is enabled and will fold key tracks according to the scales of all clips in the selection that have Scale Mode enabled.

When Focus mode is enabled, "Scale" is enabled and folds key tracks to the scale of the foreground clip, if the foreground clip has Scale Mode enabled. It is now possible to transpose notes across multiple selected clips using the Transpose control in the Notes tab. The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time.

The inversion is not applied on a per-clip basis, but for the selection as a whole - as if all selected notes belonged to one clip. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface.

Per-note expression is forwarded through Racks. Per-note expression is forwarded through these devices. The Arpeggiator device now supports modulating the root notes of an arpeggio via MPE. Note: MPE modulation is not applied to transpositions generated by the device.

Toggling MPE Mode in a plug-in device is now possible via the device's context menu. When MPE is enabled, an indicator appears on the device's title bar. Sampler: Sampler now supports MPE. Added an "MPE" text label to the right corner of the Sampler device's title bar. Simpler: Simpler now supports MPE. Added an "MPE" text label to the right corner of the Simpler device's title bar. Wavetable can now be fully controlled using MPE controllers. All MPE modulation sources now appear in the device's expanded view.

Added an "MPE" text label to the right corner of the Wavetable device's title bar. Collision: Updated the appearance of the Collision device's UI. Corpus: Updated the appearance of the Corpus device's UI. Electric: Updated the appearance of the Electric device's UI. The "Tine" and "Tone Bar" parameters are now consistently named. Tension: Updated the appearance of the Tension device's UI. Chorus-Ensemble provides three different effect modes: Classic is a thickening chorus effect.

A high-pass filter allows removing the chorus signal from low frequencies. The width of the chorus signal can be adjusted; this is useful for complex mixing tasks. The feedback signal can be inverted, which results in a "hollow" sound when combined with high feedback values. Ensemble is based on and shares controls with the Classic mode, while adding a third phase-shifted delay line for a thicker chorus sound.

Vibrato applies stronger modulation than a chorus to create pitch variation. The shape of the modulation waveform can morph seamlessly from a sine to a triangle, and be used to create well-known "police siren" sounds. Global controls allow setting the modulation rate and amount, output gain, and harmonic saturation via the "Warmth" parameter. Hybrid Reverb: Introduced "Hybrid Reverb", a new audio effect which allows blending a convolution reverb with a number of reverb algorithms.

Besides providing a selection of impulse responses, the device allows dragging any audio file into the device to be used for the convolution processing, as well as shaping the envelope and size of impulse responses via dedicated controls. An algorithmic section contains several reverb modes, each providing a different set of parameters and sonic properties: Dark Hall, Prism, Quartz, Shimmer, and Tides.

The convolution and algorithmic sections can be routed either in series or parallel, and their volume relationship can be continuously adjusted via a Blend control. An EQ section can be used to shape the reverb sound, and a "Pre Algo" toggle allows excluding the convolution engine from the EQ. A "Vintage" control introduces a degradation of the signals, to emulate the behavior of older digital reverb units. The MPE data is transformed via curves, which can consist of either two or three breakpoints.

Phaser-Flanger combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. The Phaser mode has a new, lusher sound with increased frequency and modulation ranges, while the previous Earth and Space modes have been replaced with more expressive parameters. Also included is a new Doubler effect mode. Redux: Upgraded the Redux device.

New parameters allow creating a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds. Jitter adds noise to the downsampling process. A Shape parameter allows transforming the quantizer's curve.

Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source. MIDI sidechain parameters allow processing any material in key with its surrounding musical elements. Spectral Resonator offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization. Spectral Time combines time freezing and spectral delay effects in a single inspiring device.

The freeze and delay effects can be used together or independently, allowing for a wide range of possibilities, such as sustaining any sound infinitely, or combining delays with time-synced fade transitions. Additionally, when a Max for Live device is disabled, MPE will be forwarded through the device's dry signal path.

The Expression Control device now allows assigning an additional parameter as a mapping target. Pressing a new button in the upper right corner of the LED opens a new view, where each modulation target can be transformed via curves and breakpoints. New modulation sources have been added to the device: Expression Expression Controller, MIDI CC 11 Random allows generating a random modulation value per note Incremental allows adding a fixed amount to the modulation value with each new note Slide per-note Y-Axis, converted to monophonic modulation data; useful when controlling effects in a device chain via an MPE controller Sustain Sustain Pedal, MIDI CC 64 All Max for Live devices have been moved inside the application bundle previously, they lived in the Core Library , to ensure that using Collect All and Save will not create redundant copies of the devices.

Improved waveform drawing in the Shaper and Envelope Follower devices. Push Added a "Pressure" switch to Push 2's Setup Menu shown when pressing the Setup button that allows toggling between monophonic and polyphonic aftertouch when playing melodic instruments. The state of this switch is stored in Live's preferences.

Push 2 and MIDI controllers sending polyphonic aftertouch can be used with plug-in devices that support polyphonic aftertouch. When Push 2's Pressure mode is set to "Poly", the Repeat button now produces notes at full velocity when Accent is enabled. When a Rack contains a parameter mapped to one of the new Macro Controls i.

Degree symbol icons Push 1 or bullet point icons Push 2 are used to differentiate the Rack from the device. The new device is only visible when the Rack is open, but otherwise behaves exactly the same as the Rack. If Focus Mode is enabled in multi-clip editing, only the foreground clip's key and scale will be updated in Live. A mapped Macro Control can be excluded from randomization via the "Exclude Macro from Randomization" context menu option. Volume Macros in Instrument Rack presets are excluded from randomization by default.

By default, each stored variation will be named sequentially as "Variation 1", "Variation 2", etc. A variation can be renamed, duplicated or deleted via its context menu, the Edit menu, or using keyboard shortcuts. A variation can be launched in its stored state via the "Launch Macro Variation" button to the right, or overwritten via the "Overwrite Macro Variation" button to the left.

The maximum number of available Macro Controls in Live has been doubled to The state of the shown and hidden Macro Controls is saved in the Live Set. Added a context menu entry that excludes a Macro Control from changing when a different Macro Control variation is launched. Unchecking the context menu entry will re-enable changes to that control as before, as the values are still stored in the variation. Scene numbers are now displayed in a new column in the Master track.

Scene numbers are determined by their position. When a scene is moved, its number changes according to the scene's new position. Selecting a scene or multiple scenes now opens the new Scene View, which allows editing the selected scene's tempo, time signature and Follow Actions. Dragging the left edge of the Master track's title header reveals two new controls, which allow assigning a tempo or time signature to a scene. When enabled, these controls can be disabled and reset via a context menu or pressing the Delete key.

It is also possible to disable the controls by double-clicking them. Pressing "Enter" again launches the selected scene. The navigation moves to the next or previous scene when reaching the last or first control in a scene.

In the Scene View, if a scene does not have a name, and only one scene is selected, the word "Scene" is displayed in the title bar. The scene number is displayed on the right-hand side of the title bar. Added a "Cancel Scene Launch" entry to the Master track's context menu. Clicking this entry cancels the launch of any previously triggered scene. It is now possible make the Master track narrower, so that Master Volume value labels can be hidden. This also works when a scene's "Stop" Follow Action is triggered.

Setup Live requires macOS Live's Status Bar will now indicate when an update for Live is being downloaded. Once it is downloaded, the Status Bar will state that Live must be restarted in order to apply the update. It is possible to change this default behavior, so that Live will first ask for permission before applying a new available update. The next time an update for Live is available, the Status Bar will display buttons for choosing whether or not to apply the update.

ReWire support has been removed. Its state is stored in the Preferences. An "Input Channel Ext. In " chooser allows choosing the channel from which the tempo will be tracked, and displays a level meter for each channel. When the "Follow" switch is visible in the Control Bar, it can be used to toggle the Tempo Follower on and off. When the Tempo Follower cannot be connected to the audio input device channel specified in the Preferences, its Follow button is disabled in the Control Bar.

When the Follow button is disabled, it is automatically set to Off and will not automatically switch on again when a valid audio source is selected. Live Bugfixes Fixed a crash that could occur while attempting to automate some controls in certain plug-ins. Fixed some bugs in Max for Live devices: The LFO device's modulation would not work if the device was instantiated while the audio engine was turned off.

The MPE Control device would cause stuck notes when automating multiple curve parameters during playback. Fixed a bug in the browser's content pane that prevented the column settings from being correctly retained. Live no longer crashes when right-clicking on a Send parameter in the Arrangement View, when that Send parameter is controlled by a Max device e. Fixed a bug where the Indexer would crash on macOS Fixed a bug where the Live index would quit unexpectedly. On macOS, Live does not crash in rare circumstances when audio interfaces change.

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Building a song in Live typically involves a separate track for each part with clips on each track holding variations of its part.

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