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Choose items to buy together. This item: Young Man In America. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Previous page. Audio CD. Bonny Light Horseman. Child Ballads. Anais Mitchell. The Brightness. Hadestown Original Broadway Cast Recording. Next page.
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There was a problem filtering reviews right now. Please try again later. Verified Purchase. This is an incredible album. I'm moved to write my first ever Amazon music review. When you are driving on a quiet country road, sunlight dappling through the trees, just enough to make you warm and give you the shivers That's what this album feels like. Especially when you listen to "Tailor" followed by "Shepherd". I've only ever heard Hadestown from Anais Mitchell.
I thought that was an amazing album. I may just go and buy everything Anais Mitchell has recorded. It's that good. If you like warm Americana you should like this album. Please give Ms. Mitchell a little bit of your money so she will keep making albums like this. Heartbroken because of the election? Good music is good medicine and youngmaninamerica is my favorite album for so far. It is a far cry from tired pop Americana folk sentiments.
She draws the listener from simply wading in the enjoyment of vocals including Justin Vernon a. I hope you buy it because I want more like it! Her complex lyrics and unique musical phrasing make it a constant unveiling of surprises. With Father's Day approaching, this is a particularly timely purchase, either as a gift or for one's own enjoyment - whether you are a father or have ever had a father.
Anais plumbs the depths of the sometimes painful, always rich and convoluted relationship between father and child in such songs as "Wilderland," "He Did," "Young Man In America," "Dyin' Day" and others. That is a predominant theme of this album - the cover photo is one of Anais' own father as a young man "in America. Anais draws on her unique upbringing in America and the Middle East to paint a culturally and lyrically rich picture of what it is to be human in this age. She makes you feel like you may be a better person for having listened.
Her voice is deceptively childlike, but she demonstrates that it is absolutely under her control on such songs as "He Did" and "Tailor," conveying very thoughtful images with the voice of simplicity and innocence. I listened to this album and cycled through a range of emotions from happy highs to tragic lows, all tinged with the sort of warm, almost nostalgic melancholy that is characteristic of Anais' music.
If you love to connect with the music you listen to, this album is good bet for you. Mitchell pegs it again with a loosely fit collection of interlocking songs about the existential dissatisfaction and disillusionment of our time. She presents to us the American dream either revealed for a long, long grift or for an honest promise stolen by smooth hucksters - it's difficult to tell which and the result is the same.
I see my own children trying to reconcile their dreams with a clear-eyed understanding of the new reality without perhaps the sense of betrayal my generation has. Includes heartbreaking cautionary tales to weigh from moment to moment what is important and what is transitory that never fail to break me down even when I know what is coming.
Her lyrics are surprising and delightful, and the music is simple enough to capture your attention but complex enough to bring you back listen after listen. The use of diverse instruments adds rich texture to the moving songwriting. She has an unusual voice - it's a bit high pitched and sort of nasally, but it's never unpleasant or out of place. Taken together, all these elements combine into a truly exceptional recording. Highly recommended. One person found this helpful.
The songs on this are great. The band is great. Anais is great. I think the sonic quality could be slightly better on this. The figures of farmers are chiseled into stone, and, in the lively strum of "Venus", a marble-carved goddess laughs, sings, and moans.
Hers are the songs that make myths of men, and that make statues shimmy and shake. Mitchell is a skilled storyteller; many of her songs move through absorbing narratives that pull the emotional rug out from under the listener at an expertly timed moment. The characters on Young Man in America all seem to begin relatively sure of themselves and end up sputtering, questioning, unraveling. And an empty page to fill? Perhaps even more powerful, "Tailor" is told from the point of view of a woman who's always figured her character through the eyes of her man.
Mitchell has a sweet, squeaky bleat that's somewhere between Joanna Newsom and John Darnielle , and there will be those listeners who hear a verse or two of Young Man and dismiss her vocals as being precious or affected, but they'd be missing the point entirely. Mitchell's songs are never whimsical, sentimental, or light: Sex and death creep into her compositions as casually as they do real life. The words of these narrators gain a peculiar power when they're sung in a voice that sounds at times childlike and innocent, and her delivery gives these songs an emotional complexity that welcomes and even demands repeated listens.
Same goes for the splendidly naturalistic arrangements, courtesy of producer Todd Sickafoose, which cast woodwinds as fluttering trees and crashing drums as characters' inner turmoil without ever feeling intrusive or overly literal. A few of the quieter songs like "Dyin' Day" and "Annmarie" pull from similar-sounding palettes, but the results are consistently immersive and rich. Mitchell's father is a writer that's an old picture of him on the cover , and one of Young Man 's most riveting narratives, "Shepherd", is her adaptation of one of his stories.
It's a fitting statement from a record focused on the classic American conflict between having reverence for lineage but craving independence and unpredictability. Like her characters, Mitchell possesses a restless spirit, one that pulls from her musical predecessors and contemporaries but continues with each release to develop a way of looking at the world that's all her own.
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